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He’d better get through!Īaron Marcellus, The Jackson Five’s “Never Can Say Goodbye”
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The first fully realized performance of the night. He’s got a radio-ready voice I just wished he’s put it to use on a better song.īuttery smooth, and mercifully light on the R&B affectations. Heard some nerves percolating through that vocal, but still, he’s different enough to stand out, and could be a true contender with the experience under his belt. Nice guy, didn’t miss a note, but felt a little too Season 3 to break on through to the other side of the semifinals.ĭeandre Brackensick, Earth Wind and Fire’s “Reasons” Reed Grimm, Maroon 5’s “Moves Like Jagger” (Yes, 13: The judges added Jermaine Jones to the standard Top 12 lineup in what was referred to as a “dramatic” twist.)
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Then again, Bareilles is such a naturally melodic songwriter that she doesn't run much of a risk of seeming insular on The Blessed Unrest and, fortunately, the feel of the album follows the contours of her melodies, so its melancholy is warm and inviting.Anyhow, I’ve got a full episode recap to write - look for it early Wednesday morning right here at TVLine - but until then, I thought I should offer my briefest first impressions on the evening’s 13 performances.
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There are moments of levity here, such as the effervescent "Little Black Dress" and the subtly synthesized rhythms on "Eden," but they're here to provide necessary texture and relief, puncturing the cool nocturnal glow of The Blessed Unrest just enough so the album opens up and doesn't feel mopey. It's moody and textured, rolling out at a deliberate pace and colored in blues and greys, skillfully skirting the edges of alienation - for as much as Bareilles can occasionally suggest early Fiona Apple, as she does once again on "Hercules," there is no chance she'll chuck it all in and deliver a piano-and-drums excursion into the avant-garde - by asking listeners to lean in so they can absorb all the details. Bareilles escaped that fate, as that spot on The Sing-Off illustrates, but The Blessed Unrest doesn't quite feel like a record written in the wake of such success. Kaleidoscope Heart was bright and almost baroque, its arrangements lush and large, the kind of record that seems hazily triumphant - which it was, to the extent that it was following her breakthrough hit "Love Song," the kind of single that could've pegged her as a one-hit wonder along the lines of Vanessa Carlton. The Blessed Unrest is the flip side of Kaleidoscope Heart, the 2010 album that presaged Sara Bareilles' move into the mainstream, giving the singer/songwriter her first number one album and opening the door for a gig on network television hosting the competition The Sing-Off.
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Total download size: 1022MB Total play length: 50:41Ĭover art included, liner notes not included
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